YOJ Wk 4: Fading Autumn Earrings

I made several things this week and had a hard time deciding what to use for my YOJ weekly entry. Ultimately I decided on the thing I liked the most – these earrings. They are made with beautiful red creek jasper and goldfill wire on post earrings. I love the colors in these stones. If these beauties don’t sell quickly I will be tempted to snatch them up for myself!

Throughout the week I created many pieces. Many were rushed straight off to Blue Morning Gallery for Pensacola’s Gallery Night and never got photograped. I did, however, snap a few quick pictures of a couple of them before they were wisked away.

First, a border wrapped Ammonite fossil pendant in goldfill on a high quality 4mm dark brown leather cord.

And finally, something wild! I know this piece would have best suited the ‘wild and wicked’ theme for the week better, but I really wanted to show those colorful earrings off in the YOJ journal. This piece is actually not a tooth despite appearances. It is a piece of polished tigers coral. Tiger coral is generally banded with brown rings but this piece was tumbled until the surface was totally smooth and the bands were buffed away in the process. I captured the focal piece in my signature Green Corn Stitch (for tutorial, click HERE) The result is that it looks like a large enamel tooth – and makes for an interesting necklace.

Gallery Night in Pensacola Tonight!

Are you planning to join your neighbors for Gallery Night in historic downtown Pensacola, Florida? It’s happening tonight from 5 p.m. to 9 p.m. It’s a wonderful opportunity to get out of the house and enjoy a little fine art, great music and a spirited drink or two in a family atmosphere. Don’t miss it! While you’re out and about please stop by and see me and the many other talented artists of Blue Morning Gallery.

Blue Morning Gallery – click for map, location, phone number and gallery hours.

Finally! The Necklace is Complete

I am sooooo happy to have completed this piece at last! I do not think I have ever agonized so much over finishing the clasp of any piece before as I have this one. I settled on an adjustable toggle with lace work embellishments and a few Colorado topaz crystal stitched in for a little bling. It can be worn in five different lengths; 15″, 15 3/4″, 17″, 17 3/4″ and 19″. It will compliment any neckline in Elizabeth’s wardrobe. Elizabeth is one lucky lady if I do say so myself! This is one of my masterpieces, IMHO (yeah, real humble, eh? lol). I am so proud to add this to my portfolio.

And a detail of the clasp (click to enlarge)

If this necklace wasn’t spoken for I would have kept it in my private collection. I shall hate to see it go so soon …. :::sigh::: I will be getting some better pictures before it’s gone!

YOJ Wk 3: Work in Progress

This is a work in progress that I wanted to make my entry for the Year of Jewelry Project this week. I had hoped to have the clasp worked out by now so that I could have a completed picture to share with you … but that will have to wait. Hopefully within the next day or two I can share a picture of a completed project. However, I decided to not let that stop me from using it as my YOJ entry.

This piece was inspired by a bracelet I made for Connie back in the early fall of 2010.

When a lady by the name of Elizabeth saw a picture of this bracelet in my portfolio at a recent art show she asked me to make her a necklace. I could hardly believe that I had not thought of making a necklace before. I loved the bracelet that I had made for Connie so much. A necklace was the natural thing to do next … and so I found myself quite excited to begin working on this peice. I am so happy to have two such lovely peices in my portfolio.

Elizabeth is a very petite woman with a slender and graceful neck. I decided that I wanted to add an adjustable back on it to be sure that she can wear it with any neckline in a manner that is flattering to her. That’s my dilemma just now … working out that darned adjustable back. It has to be something special – no simple chains. When I have worked it out I’ll be back to share completed pictures.

Thanks for looking.

Fun With Fibulas!

I’ve been saying for a while I wanted to make some fibulas for some of my Winged Things creations so that they could function either as a pendant/necklace or a kinetic brooch of sorts. Today I decided to play around a bit with fibulas and made two quick and easy pins in no time at all. I decided to make a fibula to match my Madame Flutterbye pendant (Winged Thing #4) first.

This one was actually the first fibula I made but it didn’t fit the pendant very well so I just added a few swaros and a bone cat for the heck of it.

You will be seeing more fibulas from me in the months ahead, no doubt a tutorial for them as well. 🙂

YOJ Wk 1: Winged Things #3 Marth-ra by Delia Stone

Okay, well for my friends here who follow my blog or whom I know from jewelry forums may already be familiar with the pendant on this piece. Her name is Marth’ra and she is from my Winged Things Series. So what’s new about this piece that qualifies it for my week one entry?

For one, Marth-ra is no longer just a pendant. She is now a full fledged necklace. I decided that I wanted to enter Marth-ra into the Fire Mountain Gems 2011 ‘Metal Clay, Metal Beads, Wirework or Chain’ Jewelry making contest. When I went to enter her two days ago I realized that there is no category for pendants – only necklaces, hence her transformation from simple pendant to necklace. Something else that makes this peice worthy of my week one entry is that entering contests is a new experience for me. I have never entered a contest like this and find it a bit intimidating, frankly, but I’m taking the plunge in the spirit of ‘new beginnings’.

Below is the information I submitted about her construction.
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The awesome new selection of carved bone faces that Fire Mountain Gems aquired this past year got my creative juices flowing. The moment I saw these smaller 16 mm and 12 mm faces I knew I would be making unique designs with them. At first I had visions of winged fairys, which brought me to create my first winged thing, Titania Queen of the Faeries. My fairy Marth-ra was inspired specifically by a picture of a beautiful Lunar moth that I found in a field guide. I just knew the moment that I saw the picture that I had to make a fairy pendant with the wings modeled after the moth in the picture … and Marth-ra was born!

I created the delicate wings by adapting an historic lace making technique known as needle lace to wire work. The results were fantastic! Delicate, light, airy, beautiful wings! The silver spirals on her wings are meant to portray movement. The body of Marth-ra is a lovely high quality piece of labradorite. When the pendant was completed it was clear that she deserved a special neckpiece, hence I created this special adjustable length filigree chain and embellished it with tiny labradorites and freshwater pearls. The final piece was oxidized and hand polished to reveal the fine details in the wire work.
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I’m keeping my fingers crossed, but not holding my breath. Wish me luck, gang!

By the way, as a side note we have confirmed a total of 80 participants in the Year of Jewlery Project! Lucky for all of us following it, whether you’re participating or following for the incredible gallery of inspiring work, there will be 80 beautiful peices of eye candy for your viewing pleasure every week for the rest of the first quarter! Check out the other entries for this week here: Year of Jewlery 2011 Week 1

My First Gallery Show: Art and Soul at Blue Morning Gallery

New Blues Show Announcement
Consider this your invitation to join me at my first official gallery show held Friday evening, January 7th from 5 p.m. to 9 p.m. at Blue Morning Gallery in historic heart of downtown Pensacola, FL. The theme of the show is ‘Art and Soul.’ This show is to introduce the newest artists of Blue Morning Gallery to the public. Several artists in various mediums will be participating;

Delia Stone – Jewelry
Lorraine Cathey – Felting and Watercolor
Tom Doughty – Colored Pencil and Watercolor
Heather Mitchell – Graphite and Colored Pencil
Diane Obe – Charcoal and Pastel
Mary Anne Sweida – Acrylics
Elaine Woodward – Pastel and Watercolor

Please join us at the opening reception. You will be rewarded with the culinary delights of Chef Cathey, wine and live soulful music – not to mention a visual feast of affordable and inspiring art in a variety of mediums.

I look forward to seeing you there. Blue Morning Gallery is located at 112 South Palafox Place next to the Saenger Theater. Call 850-429-9100 for more information.

And for my next challenge in 2011: I’m posting every week!

I’ve decided I want to blog more to try to make my blog a little more interesting and attract new readers. Rather than just thinking about doing it, I’m starting right now. I will be posting on this blog no less than once a week for all of 2011. This will fall in line nicely with my Year of Jewelry project participation. This allows me to accomplish two goals for the New Year in one. I am committing to make one main post a week, but that doesn’t mean I won’t share a few extras in there as well.

I know it won’t be easy, but it might be fun, inspiring, and I just might learn a thing or two about myself along the way. Therefore I’m promising to make use of The DailyPost, and the community of other bloggers with similar goals, to help me along the way, including asking for help when I need it and encouraging others when I can.

If you already read my blog, I hope you’ll encourage me with comments and likes, and good will along the way. It’s always nice to know that I actually have readers. 🙂 I will occasionally include little goodies for my loyal readers … such as free tutorials. Some will only be free for a limited time. This ensures that my loyal readers are rewarded while the person who only pops in once every three or four months will see the benefit of becoming a loyal reader. If you are not a loyal reader now I hope to make one out of you very soon.

Happy New Year to All,
Delia

The Year Of Jewlery Project 2011

Some of you may be familiar with the Year of Jewelry project while others have never heard of it before. I was fortunate enough to get in on the ground floor of this project way back in 2004 when it began. In the YOJ project international participants commit to make one piece of jewelry per week with the goal of honing their skills and feeding their creativity. Optional themes are offered for each of the 52 weeks, which I rarely followed but always loved seeing the product of the many other jewelry artists who did follow themes. Not only was it a booster shot for your personal jewelry making skills, but the gallery served as a wonderland of inspirational images. I credit the YOJ project with much of my growth as an artist and I feel certain any other committed participants feel the same. For more on the history of the YOJ project, click here: Year of Jewelry Project

I participated from 2004 to 2008 but then fell under the impression that the project had wound down, ultimately ceasing to exist. That is why I have not participated for the last two years. Just last week I was thinking about the YOJ and what a shame it was that it no longer existed. Then, out of the blue I found out that not only was the project still very much alive but that the information came to me in enough time for me to sign back on and participate in this project once again.

If you’d like to participate, and if you’re a jewelry maker be it absolute novice to respected wire guru I HIGHLY recommend participation in this project. Registration is free and open until January 7th. Your first project is due on the 8th. To register go here and fill out the contact form by January 7th. You will receive an email with a password and further instructions from one of the organizers.

I would love to see some of my artist friends out there joining in the YOJ project. The more talent we have the greater our inspiration as a group is. However, if you choose not to join in this go round or found this post too late you can sign up for the next quarter. See the Official YOJ 2011 site for details. I do recommend that even if you aren’t participating that you bookmark the page and follow the weekly entries. You will find yourself quite inspired by the wonderful offerings each week.

Free Metal Etching Tutorial – Happy New Year!

Remember I said there would be a catch when it came to this freebie tutorial? Here it is – If you are not already a subscriber of my blog, now’s the time to take the plunge! I ask that you subscribe yourself and share this blog with as many friends as you think appropriate. That may be just one person, it may be a group of people such as in one of your favorite frequented jewelry forums. Share it on facebook, or twitter, or myspace. Share it with as many people as you like! Please, just SHARE it! If you like it then please subscribe to my blog. I promise not to flood you with nonsense. Just lots of short show and tells, tips for other artist, the occasional guest author and maybe once in a blue moon you’ll find an interview of another artist whom I admire. It won’t hurt. I promise. 🙂 Of course I cannot force you to subscribe, and I’ll share the free tutorial with you anyway, but I hope that you will seriously consider becoming a subscriber.
I also request that those of you who experiment with the metal etching technique share some of your results via pictures. I would love to see what you’re doing with it. Now of course I cannot force you to share your pictures with me either, but I am hoping to have a good response to this request. I hope to get enough pics in to share a few of YOUR experiments as a follow up to this free tutorial. Now, on to the tutorial!

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After all the great feedback on my etched metal projects and many exclamations of ‘I want to do that too!’ from my friends and students I decided to make a simple tutorial to share. It’s not going to be heavily involved by any means. My usual style in tutorial writing is to show a picture of every stage. In this case I have skipped a few pictures to make this short and concise. Nothing that’s really necessary, mind you. For example, I don’t really think you need a picture of me scrubbing a copper sheet with a green scrubby pad to know how to do it yourself. Feel free to contact me if you have any questions after reading the tutorial. I am always happy to help and don’t mind being bugged at all. Getting questions and comments helps to reassure me that people are actually making use of that which I have labored (however lightly) to bring to you. Feel free to ask questions and make comments here on the blog as you might ask a question or offer an insight that my other readers will appreciate as well.

For this project you will need:
22 ga or 24 gauge copper sheet metal
Sharpie markers (I use a fine point and a fat point)
Rubber Gloves for protection
Safety goggles
Clear packing tape
A glass or Tupperware container large enough to fit your project in (NO METAL BOWLS!)
Liver of Sulfur
Green scrubby pad
0000 grade steel wool (hardware store)
PCB Etching Solution from Radio Shack (or mix your own)
A fine file and fine grade sandpaper (hardware store)
A pair of metal snips
Steel bench block
Hammer and anvil

I recommend that you read through the tutorial fully before attempting the project.

If you cannot get the PCB etch at a local Radio Shack you can make your own etching solution. Go to your local hardware store and pick up some Muratic Acid. You’ll find it in the pool care section for under five bucks. Pick up a bottle of hydrogen peroxide from your local drug store and you’re ready to mix! The recipe is two parts hydrogen peroxide to one part Muratic Acid. (Please note: If you mix your own solution it’s best to do it outside or in a well ventilated area. This etchant will release some fumes that you don’t want to breathe in.) Add the hydrogen peroxide to your container first, then slowly pour in the muratic acid. Do not pour it in too fast or it might bubble and spit – not a good thing when working with acids. This is one of the reasons that I recommend safety goggles. It is also a good idea not to wear any garments you’re overly fond of as a tiny little splash of acid will eat holes in your clothing. Please read the precautions on your containers and use common sense when working with chemicals.

Let’s get started:Okay, so now we have all the necessary supplies and we’re ready to play with metal etching! The first thing you’ll need to do is use your sharpie markers to draw a design on the copper sheet. It can be anything you’d like. Here is a picture of my design drawn on the copper sheet.

Now you will use the clear packing tape to suspend your project face down in your etching bath. You’ll do this by putting the tape across the back of your design. You need to either be sure that there are no bubble or runs in the tape or cover the back of your piece thoroughly with resist. You can either color the back with your sharpie markers or paint it with some old red nail polish (if you use nail polish you will need acetone to remove it after the fact). It’s hard to see the tape in this picture, but it’s face up with the copper sheet placed on top of it. The tape needs to be about 4 inches longer than your bath container is wide.

Pour approximately ¼ to a ½ inch of etchant into your bath container. If you’re using PCB etchant from Radio Shack like me, it will look like the picture. If you mixed your own, it will be a clear liquid that will turn green as it begins to etch the copper sheet. Tape your project acoss the container so that the copper plate touches the acid bath enough to fully cover the face of the design. It’s okay if the tape dips below the surface of the etchant as long as you have taken precautions to add a resist to the back of your copper sheet.

I put a lid on my container and leave it to etch for 40 minutes. I will check it every 20 minutes. If you’re using the home mixed version with muratic acid, it is likely to etch faster so check it about every five to ten minutes. It helps if you agitate the mixture by swishing it around occasionally as well. When I stop to check the depth of etch on my metal sheet, if I can feel it by rubbing my gloved finger across it I deem it ready. Extract your metal sheet from the acid bath and rinse it. DO NOT RINSE IT IN A STAINLESS STEEL SINK! IT WILL RUIN THE FINISH ON THE SINK! Rinse it outside with your garden hose if you can. Rinse it thoroughly and inspect it. This etching is ready for the next step.

Once it has been fully rinsed and all of the etchant is removed you can take it back inside to a sink and use your green scrubby pad to scrub off any and all traces of the sharpie resist to prepare it for the LOS bath.

Using a different container, heat some water in your microwave ( one to two minutes on high), add a pea sized chunk of liver of sulfur and add your copper plate to the LOS bath.

Remove the plate from the bath once it is fully oxidized. This one sat a little long and now it’s good and black. This is fine.

Now use your 0000 grade steel wool to buff off the LOS patina and highlight the raised portion of the design.

Now you will use your tin snips to cut out the different pieces. Alternately you can use a jewelers saw but I find that for small projects the snips work fine. The snips tend to curl the edges somewhat, in which case I use a steel bench block and a rawhide hammer to whack my pieces enough to flatten the curled edges.

Use the file and sand paper to soften the edges so that there are no rough or sharp spots left.

Drill or Euro Punch pliers to pierce for adding bails, jump rings, dangles, ear wires, etc. depending on your specific project. Here are some of my completed projects from my metal etching experiments.


I hope you enjoyed this tutorial. I appreciate any comments or feedback on this tutorial that you may have to offer.
Check out my website for more great jewelry making tutorials: http://www.DeliaStone.com
Images and text copyright 2011 Delia Stone.