Feed Your Muse!

MusesApollo

My muse is mysterious and wonton in her ways.  Do not ask me her name.  I do not know it.  She is elusive, fickle and quite severe on some days, cracking her glorious whip – driving me forward without regard for my need for sleep, nutrition, fresh air, etc.   My back aches from leaning over the bench, my wrist from an injury less than a year ago still fresh on my mind, my eyes cross due to sleep deprivation and still she drives me.
I do not direct my Muse.  She directs me.  It is my job to follow, to be slave to her whims and master her desires.  My muse takes me down rabbit holes, where bright ideas are born in the ‘moments’ fire.  Wonderful accidents lead me in a whole different direction than I set out intending to take.  That leads to breakthroughs.  My success is all to her credit.  I am just the vessel that she fills.

So how exactly does one find their muse?  I recently found this article on finding your muse by Alisha Burk and realized that I couldn’t say it any better.  Check it out and let me know if it helps you find your muse. Here is a small excerpt to whet your appetite:

There’s no doubt that the Muse can speak to us through others. But what makes your work original is knowing which influences to use and which to tune out. It’s an interesting life these days: TV (yay!), internet, IPhones, US Weekly (double yay!), check your email, check your texts, voicemail, multi-tasking (boo!), news, Pinterest, Twitter, Facebook, “Like”, “Unlike”, post, delete, upload, download . . . . .repeat! This constant snowstorm of information clouds my brain. I wake up in the middle of the night wondering about my inbox (I know, it’s totally obsessive!) Where does it end?! Is there an end?

In the middle if this madness, where does our Muse get a chance to speak to us? Can our inspiration sing if its voice is drowned out by all of these digital voices and influences? I mean, it’s great, this new communication, but every blessing brings its own kind of curse! How do we manage this flood without drowning in it? …”

To read the rest of this inspiring article, follow this link : http://findingyourmuseonlineclass.blogspot.com/

And by all means, if you are a jewelry artist looking for inspiration, be sure to catch my 50% off sale on all of my tutorials in my Etsy shop. Today is the last day of the sale! Remember to use coupon code Happy2014 at checkout for the discount! https://www.etsy.com/shop/TutorialShop

My Six Ton Jewelry Press has Arrived!

I’ve been coveting the Potter USA and Bonny Doon presses for some time. The problem is that both are out of the price range of my humble studio at the moment, but I found the economical answer to my prayers. 🙂 This is the six ton jewelery press from JewelryPress.com. It’s much more affordable running just under $300 (compared to $500 to $1000 or more) and it covers all of the basics needed in my little studio. See the video below:

Workshop: Forged Metal Earrings – BEYOND the Basics

 Introducing a NEW WORKSHOP: Forged Metal Earrings – Beyond the Basics


This workshop will be offered at the special rate of only $25 exclusively for it’s first run!  If you miss out on the first run you can catch it later for the regular rate of $35.  Materials are not included but are available for purchase on location in inexpensive metals/components.

When: August 17th

Time:  10 a.m.to 12:30

Location: A Bead and Crystal House

711 West Garden St. Pensacola, FL 850-432-3400

If you were lucky enough to catch my free Mother’s Day day workshop on basic forged earrings and enjoyed yourself, you will LOVE this workshop.  In this class we will take it to the next level and create more advanced designs that are still simple but have greater aesthetic appeal.

TOOLS: If you have any of the following tools, please bring them to class with you: Steel Bench Block, mini anvil, hammers (chasing hammers preferred but a hammer from the hardware store will suffice), round nosed pliers (a.k.a. rosary pliers), flat nose pliers, flush cutters.  I will bring many tools for shared use but if you have your own, even better!

Materials:  Approximately 2 to 3 feet of 22 – 16 gauge wire, 2 feet of 26 – 28 gauge wire, 1 foot 20 gauge wire, various beads

Seats in this class will be limited to only 6 participants so that I am able to spend one on one time instructing each student.  Advance reservation is recommended in order to secure your seat.  To reserve your space, call 850-432-3400 or email me at workshops@deliastone.com.  Please leave your phone number with your registration.

UWF Course: Introduction to Wire Wrap Jewelry Begins September 6th, 2011

I will be presenting Introduction to Wire Wrap Jewelry at the University of West Florida beginning Tuesday, September 6th. This course is designed to take a beginners skills to the next level.  No prior experience is required for this course.  Students will learn a variety of traditional wire wrapping techniques and enjoy a variety of beginners projects that will lead them on to more advanced intermediate projects.   Students will gain a foundation of basics that must be mastered before moving on to more advanced projects.  Learn stone setting, two styles of pendants, how to make your own findings (ear wires, head pins, jump rings, toggle clasps, various styles of hook clasps, etc.), five different rings, basic forging techniques, multiple bracelet/bangle styles and more in this four week course!  Students who advance quickly will receive bonus projects as time allows.  Individual expression will be encouraged and students will have the opportunity to incorporate beads, cabochons and found objects from their personal collection.  See some of the skills that students will master in this course below;

Herringbone weave, hammered toggles

Border Wrap Pendant with Sculpted Bail

Border Wrap with Dangles

Nested Ring

Forging Basics

Custom Toggles made to match your Focals

Forged Crosses

Bi-Metal Twist Ring

Fibula style pins/brooches

     These are just a few examples of what students can expect to learn.   I will be on hand and available by phone and private forum outside of class time for assistance.  The skills learned in this course are valued at over $350 if taken as individual classes, but are offered at the deeply discounted value of only $175 for a four week course that meets in eight two and a half hour sessions.  Classes meet Tuesday and Thursday from 2:30 to 5:00 p.m.

Questions?  Email: Instructor@DeliaStone.com

New Workshops on the Horizon

   Many of my regular students have been requesting new workshops as they’ve taken about everything that I currently offer but they wish to continue their study with me.  I have taken the suggestions into consideration and am now offering three new workshops.  If anyone else out there would like to request a particular project for a future workshop, please let me know.  I am more than happy to accommodate where possible.   The most requested classes so far are; Bracelets, Findings and Earrings.

MOSAIC EARRINGS:  MAY 19th @ 1:00
   These little beauties have always been popular!   This workshop will teach you the basics of hand coiling without the use of special tools, creating a wire frame and sewing with wire, how to create custom matching earwires and how to add an antique finish.   Location: A Bead and Crystal House in Pensacola, FL (711 West Garden St).  Cost of the workshop is $40 plus materials.  Materials can be purchased on site. 

Materials required:  2′ 20 gauge wire, 3′ 26 gauge wire, 2′ 28 gauge wire (can substitute 26 gauge), a variety of 3mm to 4mm beads in your favorite colors.  Swarovski crystals make for lovely colorful earrings with plenty of sparkle!

FINDINGS 101:  JUNE 7th 1:00
   
I would say that while other classes were requested, this class was demanded by students.  LOL  In this workshop you will learn the basics of making your own findings.  You can save a great deal of money by making your own findings, not to mention that by customizing your findings to your project the added detail will take your piece up a notch, artistically speaking.  When you have a toggle clasp with accent beads that match your piece your jewelry will impress!  There’s nothing like the headache of having a piece almost done, but then having to wait to order clasps or earwires to complete it.  As long as you have wire on hand, you will never be burdened with this problem again!  You will learn to make a variety of findings; hammered toggles, coiled toggles, S clasps, hook and eye clasps, various earwires, a varitey of headpins etc.  

   Available at A Bead and Crystal House, 711 West Garden St in Pensacola, FL.    Images to come.

VIKING KNIT BRACELET JUNE 23rd 1:00
     Look for my viking knit bracelet workshop to come in June.  This workshop will be offered at A Bead and Crystal House (711 West Garden St) on June 23rd @ 1:00.  This is an intermediate to advanced level class.  Cost is $65 plus materials.   If you have the required materials you are welcomed to bring them.  If not, you can purchase them from A Bead and Crystal House on site.  Bring basic hand tools for wire work.    Be prepared for this workshop to run up to 3 hours.

Materials required;  One 9mm clasp; 1′ 20 gauge wire,  1′ 18 gauge wire; 8′ to 10′ of 24 gauge wire (all wire dead soft temper) and a bead of your choice (size will vary depending on the length of your weave).  Two 5mm viking knit caps to finish off the end are optional.

    You can register for any of these classes by emailing Workshops@DeliaStone.com.  Please specify which class you wish to register for in your email.

FREE Mother’s Day Workshop, May 4th

Simple Forged Earrings

  

FREE Workshop for ages 12 and up!

 

When: May 4th

Time: 5:30 p.m. to 7:30 p.m.

Location: Blue Morning Gallery at the NEW LOCATION: 21 South Palafox Street in Pensacola, FL.  Approximately 1/4 block south of Garden Street next to New York Nicks and the Global Grill.  Call 429-9100 for directions.

Cost: FREE!

     I don’t care who you are, you’re never too old to make something for your
mom to let her know that you love and appreciate her on her special day!  Ages
twelve and up are invited to take advantage of this free workshop to create a
pair of hand forged earrings for Mother’s Day.  No prior jewelry making
experience is necessary.  Beginners welcomed.  Please note: Materials are
provided.  While there is no instruction fee for this class a small materials
fee of $5 will be payable at the workshop. 
 
    Seats are limited so please be sure to call ahead and reserve you seat
today!  This is necessary so that the instructor has enough materials on hand
for all participants.  
 
     Delia will take you through a few simple forging techniques using a hammer
and steel bench block.  You will shape, forge texture and patina a pair of
copper earrings to be gifted to your mother on her special day! 

    This workshop is being held during evening hours to make it more convenient for both school aged children and adults to attend.  
 
      Please note:  Preregistration is REQUIRED.   Reserve your seat by sending an R.S.V.P. email to MomsDayWS@deliastone.com or calling Blue Morning Gallery at 429-9100 today.   If you reserve a seat and are unable to make it, please give a courtesy call to cancel so that we can open that space up to another participant.

Metal Etching in Jewlery Workshop March 18th 2011 in Pensacola, FL

Because of the nature of this workshop, many supplies will be included in the cost of the workshop.  All you will need to bring with you is your imagination and basic wire wrap tools (round nose, flush cutters, needle nose) if you have them.   Tools will be available on loan if you do not have them.  If you wish to add beads to your project you are responsible for providing them.

Because materials must be ordered in advance for this project preregistration is required and seats will be limited.  Please R.S.V.P. with your name and contact phone number to Workshops@DeliaStone.com or The Bead and Crystal House at 850-432-3400.

Please note that it is recommended that you wear clothes that you wouldn’t mind if they were soiled beyond repair.  This etchant can cause rust like stains on matieral that will not come out.  While this is not likely to happen if participants are careful, it is possible that accidents might happen and by participating in this workshop you assume all responsibility for any accidents. Delia Stone and the Bead and Crystal House are not liable for any personal injury or ruin of material items.

Tools required: Round nose pliers, needle nose pliers  and clippers.  All materials provided for etching process.  If you choose to use beads in the process of converting your etchings to jewlery you will need to provide them yourself.  A variety of beads are available for purchase on location.

Student Requirements:  This project is suitable for beginners.  No experience necessary.

Learn to etch copper sheet metal to create your own unique designs.  In this workshop you will create a pendant and matching earring set or your own half cuff bracelet as shown.  The design is up to you!  Delia will teach you how to add your design using a resist, etch and then finish a completed piece of jewelry using this fun and easy technique.  This technique is suited to a beginner!
 
 
 
 
 

 

Free Metal Etching Tutorial – Happy New Year!

Remember I said there would be a catch when it came to this freebie tutorial? Here it is – If you are not already a subscriber of my blog, now’s the time to take the plunge! I ask that you subscribe yourself and share this blog with as many friends as you think appropriate. That may be just one person, it may be a group of people such as in one of your favorite frequented jewelry forums. Share it on facebook, or twitter, or myspace. Share it with as many people as you like! Please, just SHARE it! If you like it then please subscribe to my blog. I promise not to flood you with nonsense. Just lots of short show and tells, tips for other artist, the occasional guest author and maybe once in a blue moon you’ll find an interview of another artist whom I admire. It won’t hurt. I promise. 🙂 Of course I cannot force you to subscribe, and I’ll share the free tutorial with you anyway, but I hope that you will seriously consider becoming a subscriber.
I also request that those of you who experiment with the metal etching technique share some of your results via pictures. I would love to see what you’re doing with it. Now of course I cannot force you to share your pictures with me either, but I am hoping to have a good response to this request. I hope to get enough pics in to share a few of YOUR experiments as a follow up to this free tutorial. Now, on to the tutorial!

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After all the great feedback on my etched metal projects and many exclamations of ‘I want to do that too!’ from my friends and students I decided to make a simple tutorial to share. It’s not going to be heavily involved by any means. My usual style in tutorial writing is to show a picture of every stage. In this case I have skipped a few pictures to make this short and concise. Nothing that’s really necessary, mind you. For example, I don’t really think you need a picture of me scrubbing a copper sheet with a green scrubby pad to know how to do it yourself. Feel free to contact me if you have any questions after reading the tutorial. I am always happy to help and don’t mind being bugged at all. Getting questions and comments helps to reassure me that people are actually making use of that which I have labored (however lightly) to bring to you. Feel free to ask questions and make comments here on the blog as you might ask a question or offer an insight that my other readers will appreciate as well.

For this project you will need:
22 ga or 24 gauge copper sheet metal
Sharpie markers (I use a fine point and a fat point)
Rubber Gloves for protection
Safety goggles
Clear packing tape
A glass or Tupperware container large enough to fit your project in (NO METAL BOWLS!)
Liver of Sulfur
Green scrubby pad
0000 grade steel wool (hardware store)
PCB Etching Solution from Radio Shack (or mix your own)
A fine file and fine grade sandpaper (hardware store)
A pair of metal snips
Steel bench block
Hammer and anvil

I recommend that you read through the tutorial fully before attempting the project.

If you cannot get the PCB etch at a local Radio Shack you can make your own etching solution. Go to your local hardware store and pick up some Muratic Acid. You’ll find it in the pool care section for under five bucks. Pick up a bottle of hydrogen peroxide from your local drug store and you’re ready to mix! The recipe is two parts hydrogen peroxide to one part Muratic Acid. (Please note: If you mix your own solution it’s best to do it outside or in a well ventilated area. This etchant will release some fumes that you don’t want to breathe in.) Add the hydrogen peroxide to your container first, then slowly pour in the muratic acid. Do not pour it in too fast or it might bubble and spit – not a good thing when working with acids. This is one of the reasons that I recommend safety goggles. It is also a good idea not to wear any garments you’re overly fond of as a tiny little splash of acid will eat holes in your clothing. Please read the precautions on your containers and use common sense when working with chemicals.

Let’s get started:Okay, so now we have all the necessary supplies and we’re ready to play with metal etching! The first thing you’ll need to do is use your sharpie markers to draw a design on the copper sheet. It can be anything you’d like. Here is a picture of my design drawn on the copper sheet.

Now you will use the clear packing tape to suspend your project face down in your etching bath. You’ll do this by putting the tape across the back of your design. You need to either be sure that there are no bubble or runs in the tape or cover the back of your piece thoroughly with resist. You can either color the back with your sharpie markers or paint it with some old red nail polish (if you use nail polish you will need acetone to remove it after the fact). It’s hard to see the tape in this picture, but it’s face up with the copper sheet placed on top of it. The tape needs to be about 4 inches longer than your bath container is wide.

Pour approximately ¼ to a ½ inch of etchant into your bath container. If you’re using PCB etchant from Radio Shack like me, it will look like the picture. If you mixed your own, it will be a clear liquid that will turn green as it begins to etch the copper sheet. Tape your project acoss the container so that the copper plate touches the acid bath enough to fully cover the face of the design. It’s okay if the tape dips below the surface of the etchant as long as you have taken precautions to add a resist to the back of your copper sheet.

I put a lid on my container and leave it to etch for 40 minutes. I will check it every 20 minutes. If you’re using the home mixed version with muratic acid, it is likely to etch faster so check it about every five to ten minutes. It helps if you agitate the mixture by swishing it around occasionally as well. When I stop to check the depth of etch on my metal sheet, if I can feel it by rubbing my gloved finger across it I deem it ready. Extract your metal sheet from the acid bath and rinse it. DO NOT RINSE IT IN A STAINLESS STEEL SINK! IT WILL RUIN THE FINISH ON THE SINK! Rinse it outside with your garden hose if you can. Rinse it thoroughly and inspect it. This etching is ready for the next step.

Once it has been fully rinsed and all of the etchant is removed you can take it back inside to a sink and use your green scrubby pad to scrub off any and all traces of the sharpie resist to prepare it for the LOS bath.

Using a different container, heat some water in your microwave ( one to two minutes on high), add a pea sized chunk of liver of sulfur and add your copper plate to the LOS bath.

Remove the plate from the bath once it is fully oxidized. This one sat a little long and now it’s good and black. This is fine.

Now use your 0000 grade steel wool to buff off the LOS patina and highlight the raised portion of the design.

Now you will use your tin snips to cut out the different pieces. Alternately you can use a jewelers saw but I find that for small projects the snips work fine. The snips tend to curl the edges somewhat, in which case I use a steel bench block and a rawhide hammer to whack my pieces enough to flatten the curled edges.

Use the file and sand paper to soften the edges so that there are no rough or sharp spots left.

Drill or Euro Punch pliers to pierce for adding bails, jump rings, dangles, ear wires, etc. depending on your specific project. Here are some of my completed projects from my metal etching experiments.


I hope you enjoyed this tutorial. I appreciate any comments or feedback on this tutorial that you may have to offer.
Check out my website for more great jewelry making tutorials: http://www.DeliaStone.com
Images and text copyright 2011 Delia Stone.

Making Gemstone Soaps

I have something different to kick off the New Year with today. A fantastic free tutorial on making gemstone soaps. While I am not a soap maker I found myself drawn in with great interest as I read this article by Bonnie Bartley of http://www.Soapsmith.artfire.com and this moved me to share it with you. I really enjoyed seeing the process for making these fantastic soaps. According to Bonnie, it’s not as difficult as you might think. Have a look at Bonnie’s beautiful gemstone soaps and use her free tutorial to make your own.

Guest author Bonnie Bartley on Soap Making:
Hello friends,
I often do demonstrations at soap making conferences. One of the most popular classes is for making my gemstone soap rocks. Today’s blog post is drawn from the handout notes that I offer to soap makers who attend my presentations. Through the years, I have emailed these notes over 700 times to soapers who have requested them. Today I share them with you
.

Yes, these are truly easy to make. Even my very first attempts came out great, yours will, too. Here’s how!

To read more and see Bonnie’s free step by step tutorial, click here: Soap Rock Tutorial

WIP: Etched Metal Process

Today I thought I would share a Work In Progress with you. Back around Thanksgiving I did my first ever metal etching experiments. A lot of inspiration was born of those experiements, but with the holiday season upon me I had to set it aside for a time. Now, with Christmas behind us, it seemed like a good time to continue with the momentum of those Thanksgiving experiments and make some new projects.

I decided to make my theme Solitude to honor the beauty of that mysterious voice that resonates within all of us in quiet, comptemplative moments. These earrings were born from a spontaneous meditation on the beauty of solitude. Solitude is not like lonliness at all … solutide is to lonliness what a Mercedes Benz is to a beat up old volkswagon. Solitude is a glass of full bodied red wine paired with classical music on a warm summer night. It’s standing on the rivers edge listening to the insects buzz, the water flowing and the wind in the canopy of trees above you. It’s watching the sun rise in the middle of the forest. Solitude is beautiful … and it’s usually only in these quiet moments that we can truly get to know ourselves. It’s being able to enjoy your own company. To that end I did a few quick sketches with my resist pens on this piece of copper sheet.

I threw it in a ferric chloride bath for about 40 minutes. The etching process seemed to be much slower this time than it was back in November. I keep my container out in my laundry room when I’m etching and it was pretty cold in that room. The temperature may have had an effect on the time it took to etch. I pulled the copper design plate out, scrubbed off the resist pen with green scrubby pads and then antiqued the metal with LOS and rubbed it out with 0000 grade steel wool to highlight the raised design. This is what the final design plate looked like.

I then cut out, filed and sanded all of the individual pieces on the design plate.

I took the four matching pieces from the plate to make two pair of earrings. I pierced each end of the piece and added handmade ear wires to the top and chrysophase and rainbow moonstone briolettes on the bottom. They are available in my etsy store. I really like the way they turned out.

I still haven’t decided exactly what I’m going to do with the old man under the wisdom tree, but I will be sure to post to share him when he’s done.

Stay tuned to see the fate of ‘Old Man Under the Wisdom Tree’. 🙂